Tempo reference for 30+ music genres. Use this chart to plan DJ sets, match tempos when sampling, or understand where your production fits.
| Genre | BPM Range | Typical | Visual Range | Notes |
|---|---|---|---|---|
| Deep House | 120-124 | 122 | Warm, soulful house; underground clubs and listening bars | |
| House | 120-130 | 126 | Four-on-the-floor kick; foundation of dance music | |
| Tech House | 124-132 | 128 | Groovy, percussive; blends techno drive with house swing | |
| Progressive House | 126-132 | 128 | Melodic builds and drops; festival staple | |
| Techno | 130-150 | 140 | Repetitive, industrial; Berlin-style clubs | |
| Trance | 128-145 | 138 | Euphoric synth leads; psytrance can reach 145-150 | |
| Drum and Bass | 160-180 | 174 | Half-time feel on the snare despite fast tempo | |
| Jungle | 155-175 | 165 | Breakbeat-driven ancestor of DnB | |
| Dubstep | 138-142 | 140 | Half-time grid; the groove feels like 70 BPM | |
| Future Bass | 140-160 | 150 | Emotional drops; chords heavy | |
| UK Garage / Speed Garage | 130-140 | 135 | Skippy rhythms; precursor to UK bass genres | |
| 2-Step Garage | 130-138 | 134 | Syncopated, bouncy; classic UK sound | |
| Grime | 135-145 | 140 | Aggressive MC-driven; London origin | |
| Breakbeat | 125-145 | 135 | Syncopated snare; samples hip-hop and funk | |
| Electro | 115-130 | 122 | Robotic vocals; 808 drum machines | |
| Hardstyle | 145-160 | 150 | Distorted kick; festival anthems | |
| Hard Techno | 140-155 | 148 | Aggressive and industrial; growing trend | |
| Ambient / Downtempo | 60-100 | 80 | No fixed tempo in many tracks; values are approximate |
| Genre | BPM Range | Typical | Visual Range | Notes |
|---|---|---|---|---|
| Boom Bap Hip-Hop | 85-95 | 90 | Classic East Coast sound; MPC era | |
| Trap | 130-160 | 140 | Half-time feel; grid feels like 65-80 BPM | |
| Cloud Rap / Lo-fi Hip-Hop | 75-95 | 85 | Hazy, relaxed; often sample-based | |
| Drill | 130-145 | 140 | UK and US drill both use half-time patterns | |
| Contemporary R&B | 80-105 | 92 | Smooth grooves; vocal-driven production | |
| Neo-Soul | 70-95 | 82 | Live instrumentation feel; relaxed swing |
| Genre | BPM Range | Typical | Visual Range | Notes |
|---|---|---|---|---|
| Pop | 100-130 | 120 | Wide range; chorus usually pushes tempo up | |
| Dance-Pop | 115-135 | 125 | Club-ready pop; blurs into house territory | |
| Indie Pop | 90-130 | 110 | Eclectic; no strict tempo range | |
| Rock | 100-140 | 120 | Highly variable; punk is faster, ballads slower | |
| Hard Rock / Metal | 120-200 | 150 | Death metal can exceed 200 BPM | |
| Punk | 160-220 | 180 | Fast, aggressive; short song durations |
| Genre | BPM Range | Typical | Visual Range | Notes |
|---|---|---|---|---|
| Reggaeton | 90-100 | 96 | Dembow rhythm defines the feel | |
| Salsa | 160-220 | 185 | Clave-based rhythm; fast footwork required | |
| Bachata | 120-140 | 130 | Dominican origin; guitar-led romance | |
| Cumbia | 90-110 | 100 | Colombian origin; accordion and percussion | |
| Afrobeats | 95-115 | 105 | West African grooves; syncopated bass |
| Genre | BPM Range | Typical | Visual Range | Notes |
|---|---|---|---|---|
| Jazz | 60-300 | 120 | Enormous range; ballads to bepop sprints | |
| Soul / Motown | 80-120 | 100 | Groove-oriented; swing feel on the snare | |
| Funk | 90-115 | 104 | The one; syncopated bass guitar is the backbone |
Use this chart when planning a set. Genres with overlapping BPM ranges mix smoothly, combining house (120-130) with tech house (124-132) creates a natural energy progression. For harmonic mixing, combine this chart with BeatKey's key detection and Camelot Wheel.
Plan with the Camelot WheelCheck a sample against this chart before flipping it. If a soul record is at 96 BPM, pitching it up to 100 BPM keeps it in genre range. Pitching it to 170 BPM for drum and bass will need heavy processing. BeatKey detects the exact BPM before you chop.
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